Monthly Archives October 2014

Film Review: Whiplash

WLDirected by Damien Chazelle

Starring Miles Teller, J.K. Simmons, Melissa Benoist & Paul Reiser

Ambition, dedication, determination. How far will people go to achieve their ultimate passion in life? It’s a question raised in many films but in such a conventional manner that one just tends to forget about it and concentrate on the other aspects. When it’s made the main focus though, that’s when the true verification is present. Sometimes something as simple as drive or ambition can prove to be just as intense as the use of violence or action in a film. Whiplash is a great example as to why.

Andrew Neyman (Teller) is a promising young Jazz drummer who enrolls himself into a competitive music school because according to him it’s the best one in the world and he wants to be the best Jazz drummer that ever lived. He also wants to impress tough-to-please music instructor Fletcher (Simmons) who initially inspires Andrew but pushes his students to the limit to reach their full potential.




DVD Review: Only Lovers Left Alive

81wHOPQDudL._SL1500_Directed by Jim Jarmusch

Starring Tilda Swinton, Tom Hiddleston & Anton Yelchin

It’s about- because of course it is- eccentric loners having pithy conversations about mostly meaningless, cool-sounding junk. It’s by Jim Jarmusch, what did you expect? The more pertinent question is whether there’s something beneath it. In this case, there is.

Adam (Hiddleston) lives in dilapidated Detroit, in a run-down home on the outskirts of town. Surrounded by rock-and-roll bric-a-brac, the closest thing he has to a friend is Ian (Yelchin) – a well-meaning fellow, but not exactly on Adam’s level. Meanwhile, in Tangier, Eve (Swinton) wakes in her book-filled flat and walks to her local café, to meet with Kitt, who provides her with her fresh blood. By the way, that’s the reason they have so much cool stuff, are so cultured, and only hang around at night- they’re vampires. After a brief call with Adam, Eve realizes he is depressed, and decides to join him in Detroit. Unfortunately, her sister joins them soon after, with dire consequences.



Cartoon Network DVD Round Up

A complaint we hear all too often these days is “cartoons just aren’t as good as they used to be.” Putting aside how ridiculous this statement is when it comes to movies (How To Train Your Dragon 2 is arguably one of the best films to come out all year), lets look at TV. Growing up I was obsessed with shows like Animaniacs, Tiny Toon Adventures and Teenage Mutant Ninja Turtles, great imaginative and just the right mix of kid and adult humour. Guess what? Cartoons today still have these great factors and more. This month, Cartoon Network releases 3 DVDs that prove why we should all still be watching cartoons. Check after the jump for reviews. (more…)

Film Review: ’71

Screen shot 2014-10-05 at 12.37.43Directed by Yann Demange

Starring Jack O’Connell, Killian Scott, David Wilmot and Sean Harris

‘71 tells the story of Gary Hook (Jack O’Connell), a young British soldier that is left behind by his unit in Belfast after a small riot. We follow hook’s survival to return back to his barracks before he is captured by ruthless Provisional Irish Republican Army members.

Yann Demange is a person that should be on everybody’s ‘directors to look out for’ list. It may come as a surprise to many after viewing ’71 that it is Demange’s cinematic debut (he also directed a large chunk of Channel 4’s acclaimed Top Boy) His great sense of intense urgency is one to be recognised, the sophistication and confidence conveyed in the handling of the material is that of a veteran filmmaker. Demange manages to achieve the near impossible, of creating an informative action packed adrenaline induced film while upholding the political intent and awareness without becoming preachy. The characters are so well developed that they seem to drive the action forward rather than the other way around.

Jack O’Connell’s portrayal of the young, oblivious but determined everyman Gary Hook is one of the best of the year, O’Connell almost makes it seem effortless in going smoothly from naivety to dismay, reflecting Hook’s shocks and revelations through subtle facial expressions and realistic reactions to the horrors and corruption of war.